The New York Times Presents

As the coronavirus ravages more and more American cities, we look back to the place hit hardest: New York City. Doctors and nurses documented their lives, capturing awe‐inspiring resolve in the face of a breakdown in the health‐care system.

The making of a pop star in 2020: A young musician is plucked from obscurity -- jail, actually -- and given a multi-million dollar record deal. Meet Dominic Fike as he prepares for his first international tour and makes his debut album.

A New York Times investigation examines what happened at 3003 Springfield Drive in Louisville, Kentucky, just after midnight on March 13, when police executed a warrant that resulted in the death of Breonna Taylor.

Perhaps a fitting start to 2020, Australia rang in the New Year with much of the country engulfed in flames. A few people decided to confront the blaze. Watch them stand face to face with one of the most ferocious infernos in history.

Elon Musk. Bill Gates. Kanye West. Joe Biden. Barack Obama. They and dozens of others were being hacked recently, and Twitter appeared powerless to stop it. Who had brought the tech giant to its knees? A 17-year-old kid in Tampa.

Her rise was a global phenomenon. Her downfall was a cruel national sport. People close to Britney Spears and lawyers tied to her conservatorship now reassess her career as she battles her father in court over who should control her life.

The New York Times follows the rise of Collab Crib, the first mainstream Black "creator mansion," exclusively documenting their whirlwind drive to achieve social media stardom in 90 days. The intimate, character-based film captures the influencers wrestling with a nagging, and profound, challenge: how can they succeed in a nascent industry that seems tilted to their disadvantage?

Two Stanford graduate students had an inspired idea and an idealistic mission: create an e-cigarette that would help millions of people stop smoking. How did the founders of Juul lose their way and end up accused of addicting a whole new generation?

Britney Spears has said that her conservatorship had become “an oppressive and controlling tool against her.” This New York Times investigation reveals much of how it worked, including an intense surveillance apparatus that monitored every move she made.

In 2004, a culture war was brewing when the Super Bowl halftime show audience saw a white man expose a Black woman's breast for 9/16ths of a second. A national furor ensued. The woman was Janet Jackson, and her career was never the same.